Description
The silversmith Karl Schibensky let the old and new technologies of the enamels revive.
The design with rich color-contrasts and geometrical figures was very popular in the twenties and thirties and closed to Bauhaus Design.
This technique got a revival with an easily changed color-scale after the second world war.
Comparable works came from the Perli-Werkstatt in Schwäbisch Gmünd, Kollmar & Jourdan in Pforzheim and A.G. Bunge in München.
Lit.: Beate Dr-v. Zezschwitz und Graham Dry: Deutsche und Österreichiche Schmuckarbeiten, 1991, p.98f.; Ginger Moro: European Designer Jewelry, 1995, p.134f.; Ch. Weber, R. Möller: Mode und Modeschmuck 1920-1970 in Deutschland, Stuttgart 1999, p.154.
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